Drift Project Photos

I went Downtown with my boyfriend to do the Drift project, we started on S. Sierra St. in search of inspiration. It wasn't until I looked at a brick wall ahead of me that I found what I wanted to go looking for. One side of the brick wall was white, covered in paint, the other was its original red color. The paint had changed the texture of that half of the wall. That's when I decided that my theme was going to be Contrast and Texture. Continuing north on Sierra we walked up towards the Silver Legacy and back south on N. Virginia St. I took photos of walls and the ground only they're not fully distinguishable because they're all close-ups.

Answers to Questions on pg. 39

                                          http://www4.uwm.edu/letsci/mls/syllabi/702/702-1b.cfm  -John Taylor, Treaty Signing at Medicine Creek Lodge, 1867.

http://www4.uwm.edu/letsci/mls/syllabi/702/702-1c.cfm - Howling Wolf, Treaty Signing at Medicine Creek Lodge, c. 1875.

John Taylor's drawing of the Treaty signing is more representational, whereas Howling Wolf's is more abstract. Howling Wolf's drawing focuses a lot on the land the treaty took place and on the Native American culture. Taylor's is more realistic, it focuses more on what was going on there. Our attention is drawn to what is going on in the center of the drawing. Native Americans were more considerate of women's role in the various tribes, but in Taylor's case, women were not involved in any big, governmental issues.

Role #4: JUDITH F. BACA

In 1996, Judith F. Baca was commissioned to make a mural at the University of Southern Californa (USC) that brought awareness to the struggles that the Chicano community went through in order to get aknowledged at the university.
The name of the mural is "La Memoria de Nuestra Tierra" [The Memory of Our Land]. Several of the university's students gathered information about the history of Chicanos and Baca took that to create the large mural.
"La Memoria..." is like looking at history through a painting. The little blue houses at the top left corner of the painting signify the first houses that marked the Chicano community. A river flows through the middle of the painting and turns into a freeway. At the far right is an Aztec goddess and from her outstretched hand flows a group of people in protest [Mexican-American Civil Rights Movement]. 

"...Baca’s murals focus on revealing and reconciling diverse peoples’ struggles for their rights and affirm the connections of each community to that place."
http://www.judybaca.com/now/index.php?option=com_content&view=article&id=45&Itemid=27

Here's the link to a photo of the mural on Baca's personal website: http://www.judybaca.com/now/index.php?option=com_igallery&view=gallery&id=5&Itemid=73

E.C. Omicon Photo!

Chester Arnold "Two Rivers" (1996)

On a recent trip to the Nevada Museum of Art I checked out the Chester Arnold art exhibit on assignment. For once, it was a school assignment I actually looked forward to!

                Chester Arnold’s exhibit “On Earth as it is in Heaven” consists of several paintings that take on issues on the environment, economic development and industrialization. The painting that drew my attention the most was “Two Rivers” which Arnold painted in 1996 with oils on a canvas. The painting was inspired by an Old English poem called “Tweed and Twill” about two rivers who conversed with one another about how many more people drown in one river than the other. Note: One river’s flow is faster than the other.

                On the painting, the two rivers are centered, only separated by strip of green land that consists of several trees. There is a broken-down road towards the bottom of the painting and to the right of that is a rusty car that is flipped over. The river on the right is a clear blue and the land beside it is a lush green that looks to have never been touched by people. The river on the left is dark and murky and the land beside it is run down. On the top left corner land is yellowing and there is a road with two cars driving through. A little below the road is a cemetery, most likely there for all the people who have drowned in the rivers.

                The “Dark Landscapes” description next to the painting in the exhibit mentions how Arnold’s paintings from the 1980’s were meant to show how people ruined nature with industrialization. His paintings from the early 1990’s show how nature still has the upper hand. Perhaps this is the significance of the cemetery. People take over natural landscapes to add more house houses or industrial buildings to make more money. In the focus of trying to get rich we all lose sight of the importance of our natural resources. Eventually, people will grow old and pass on but nature (land) will still be around long after we are not. It will still get its chance to flourish. This is the upper hand that nature has on humanity.

[This concept reminds me of another one of Chester Arnold’s paintings ‘Two Ravens” from the same exhibit, but that is for another time.]